It’s 2005. The Italian secret service has received intel that a group of Muslim immigrants based in Rome’s Viale Marconi neighborhood is planning a terrorist attack. Christian Mazzari, a young Sicilian court translator who speaks perfect Arabic, goes undercover to infiltrate the group and learn who its leaders are. Christian poses as Issa, a recently arrived Tunisian in search of looking for a place to sleep and a job. He soon meets Sofia, a young Egyptian immigrant whose life with her husband, Said a.k.a. Felice, an architect who has reinvented himself as a pizza cook, is anything but fulfilling.

In alternating voices, with an anthropologist’s keen eye and sparkling wit Lakhous examines the commonplaces and stereotypes typical of life in multicultural societies. Divorce Islamic Style mixes the rational and the absurd as it describes the conflicts and contradictions of today’s world. Marvelous set pieces, episodes rich in pathos, brilliant dialogue, and mordant folk proverbs combine as the novel moves towards an unforgettable and surprising finale that will have readers turning back to the first page of Lakhous’s stunning novel to begin the ride all over again.

Amara Lakhous
Amara Lakhous was born in Algiers in 1970. He has a degree in philosophy from the University of Algiers and another in cultural anthropology from the University la Sapienza, Rome. He recently completed a Ph.D. thesis entitled “Living Islam as a Minority.” His first novel, Le cimici e il pirata (Bedbugs and the Pirate), was published in 1999. Clash of Civilizations Over an Elevator in Piazza Vittorio, winner of Italy’s prestigious Flaiano prize, is his second novel. He currently resides in New York.

• May 21 2012
  The Globe and Mail: "This novel is part of a different trend."
  
• May 11 2012
  Shelf Awareness: "Amara Lakhous's frothy soap opera tap-dances its way over touchy prejudices to create an international commedia for the age of terrorism, laced with tributes to Federico Fellini, Vittorio De Sica, Sophia Loren and Marcello Mastroianni."
  
• May 11 2012
  Foreword Reviews: "This engaging tale is teeming with current cultural issues...But it never feels pedantic—rather, the issues are gracefully introduced as they relate to the characters' live
  
• May 11 2012
  The New York Times: "French and British literature have long been enriched by the biculturalism of authors like Tahar Ben Jelloun, Amin Maalouf, Gaitam Malkani and Monica Ali. With talented new writers like Lakhous...Italy is closing the gap."
  
• May 11 2012
  Bookforum: "As a novelist of culture clash, Lakhous has the faculty to maintain colorful voices with the luxury of introducing political themes as instantiations of character."
  
• Apr 24 2012
  Ron Slate: "'A woman’s interpretation of the Koran still doesn’t exist.' The deep and darker meaning of this fact is the racing heart of Divorce Islamic Style."