Europa Editions are a reliable source of translated fiction, but more recently they have also started publishing a small number of books written in English. One of these books is Ben Byrne’s debut novel Fire Flowers, set in the apocalyptic landscape of post-war Japan.
The story is told from alternating points of view of the four main characters. Satsuko Takara is a good girl, devoted daughter and sister, who believes her family was killed in the incendiary bombing of their neighbourhood of Asakusa in Tokyo. Her brother Hiroshi, badly scarred by fire, is likewise convinced his sister died. Her boyfriend Osamu dreamt of becoming the Japanese Tolstoy or Oriental Zola, but was forced to go and fight in New Guinea and was presumed dead. Finally, American bomber pilot turned photographer, Hal Lynch, is wracked with guilt at the part he played in the war.
In the rubble, despair and confusion that is defeated Japan, it all becomes a story of survival. The author does not spare us the details of ruins, famine, smallpox, the taking of Philopon (the so-called ‘courage pills’, formerly used by kamikaze pilots, now used to make up for lack of food and hope). Hiroshima is described as a pulverised wasteland, a vast expanse of reddish-brown dust. One little girl survives the atomic bomb and comes all the way to Tokyo by herself, joining Hiroshi’s little band of children.
Satsuko is forced into prostitution ‘for the sake of her country’ at the so-called comfort stations provided for the American occupying forces. Hiroshi heads a gang of street children and goes underground, living off petty theft and hustling. Osamu tries to recreate his dream of a writer’s life, even though at present he is pandering to the public’s need for comfort, titillation and pornography. Finally, Hal Lynch uncovers information about the long-term consequences of radiation sickness in Hiroshima, things which are covered up by the American military and politicians.
Two thirds of the way through the book, Hal and Satsuko finally meet – you just knew it was going to be a love story, at least partially. Brother and sister also finally reunite, but there is no traditional happy ending. There are hints of the Cold War already starting.
There is much to like in this book: it is well researched, atmospheric, and very ambitious. Perhaps it tries to pack too much in (a common enough failing in a debut novel). It seeks to provide a fresco of a whole country through the fate of these four people – and for the most part, it succeeds, although not always in a very smooth and uplifting way. There are several excellent passages and scenes, which just about manage to steer clear of sentimentality. One of my favourites is the scene of carol singing with a group of elegant old ladies in kimonos – Japanese Christians who are now for the first time allowed to celebrate Christmas.
"And then this bold young man and these delightful, wrinkled women whose country I’d helped raze to the ground, well, we all stood there outside of a ruined train station as flakes of DDT floated down from the sky like snow, and then, God help me, we began to sing ‘Silent Night.’"
The book provides an interesting alternative view of Japan after the war, something that has not been as widely portrayed in literature as post-war Germany, for instance.
