The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today.

Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel.

IN THIS VOLUME, Tash Aw, James McAuley, Samar Yazbek, among other French writers tell of the second largest city of Europe.

The radiance of the “city of lights” can be blinding even for tourists: the clash with the real city, so different from the one depicted in films and books, results in some of them developing the so-called “Paris syndrome.” That said, the cracks in the postcard image of the city seem to multiply: terrorist attacks, the demonstrations of the yellow vests, the riots in the suburbs, Notre-Dame in flames, record heatwaves. Meanwhile, soaring living costs are forcing many Parisians to leave the city.

Yet these are not just a series of unfortunate events. They are phenomena—from increasing population density to climate change, from immigration to the repercussions of globalization and geopolitics— that all metropolises in the world must face. And in Paris, today, the mood is not one of defeat but of renewal: from ongoing environmental and urbanistic transformation to the children of immigrants who take to the streets for the right to feel French, and the women determined to break the sexism and stereotypes that dominate the fashion industry. Is there anyone who seriously thinks they can teach Parisians how to stage a revolution?

“These books are so rich and engrossing that it is rewarding to read them even when one is stuck at home.”—The TLS

“It has a strong focus on storytelling, with pages given over to a mix of essays, playlists and sideways glances at subcultures and thorny urban issues.”—MONOCLE, The Stack

“Half-magazine, half-book… think of [The Passenger] as an erudite and literary travel equivalent to National Geographic, with stunning photography and illustration and fascinating writing about place.”—Independent.ie (Best series of the year – 2021)

“The Passenger readers will find none of the typical travel guide sections on where to eat or what sights to see. Consider the books, rather, more like a literary vacation--the kind you can take without braving a long flight in the time of Covid-19.”—Publisher's Weekly

“Fresh and diverting, informative and topical without being slight or ephemeral [...] This supremely well-edited combination of current affairs, journalism, commentary, and fun facts is perfect for our pause-button moment.”—Australian Financial Review (Best Books of the Year)

“Tremendously eclectic and classily produced...each volume gets under the skin of a country or a city in a multifaceted way that feels essential in these times of narrowing national horizons.”—The Bookseller